Sabato 6 Marzo 2010 a Genova si è tenuto uno stage di Shinkenshobu-waza (Shinkenshobu = "combattimento reale") tenuta da Shiigi Munenori Shihan, 7°dan Judo, Dai-Shihan di IchiGiDo BuJutsu (un approccio alle arti marziali realizzato dal padre di Shiigi Shihan), Kashima Ryu, Katori Shinto Ryu e Takenouchi Ryu.
Il maestro ha iniziato la lezione con un discorso introduttivo in italiano, dimostrando il suo rispetto per la nostra lingua e la nostra terra, inducendo così anche il meno volenteroso dei partecipanti a impegnarsi al massimo.
The lesson took place in three phases:
- demonstration and practice of fundamental techniques dell'Ichigido bujutsu
- demonstration of the Kime-no-kata in the Kodokan, and variations of old when he was still known as "Shinken-Shobu-no -kata ".
- Demonstration of Katori Shinto ryu techniques with sword, naginata and staff (bo).
Agostino Sensei Lasaracina is projected to Shiigi-shih n
What I personally liked most of the day was the person of the Dai-Shihan available, affable and preparation Technical multifaceted, deep and much more effectiveness of practice-oriented than most martial artists is used to manage - and even more amazing were the physicality and fluidity of this man of 72 years (only nominally, in my opinion!).
The technical aspect that most intrigued me was the fundamental program of Ichigido bujutsu, who was able to encompass both the young jutsuka as the older masters, the sifu's kung-fu and karate, different speech for subsequent demonstrations, certainly more relevant to practitioners, respectively, and Kodokan Judo Koryu Bujutsu (martial arts of Japan). A day
"slow" in many respects - given the large number of people (over 100 practitioners) and variety of proven techniques - which nevertheless has managed to fascinate and interest, mainly due to the polarizing figure Shiigi-shihan.
Following is guide to Augustine Lasaracina sensei.
'This afternoon I met a person I will remember for a long time: Shiigi Munenori Shihan, master of many martial arts but also the historical memory of a very important moment for the Gendai Budo (martial arts "modern" in Japan) - I'm talking about the period during which the Judo was taught as a school of Ju Jitsu or was still close to their roots.
The sensei has been available and wanted to break the language and cultural barriers giving alla lezione un’impostazione meno formale rispetto a quanto è sicuramente abituato a vivere nei confronti della sua persona.
Forse ci sarebbe da dire qualcosa sul livello tecnico dei partecipanti, molte dei quali si sono accreditati come 3°, 4° o 5° dan, ma all’atto pratico si sono dimostrati non sempre abbastanza preparati da effettuare le tecniche fondamentali che andavamo a praticare; è vero che non tutti possedevano un background di Ju Jitsu, e tante persone venivano dalle discipline più svariate, ma è altrettanto vero che si sono visti tecnici in palese imbarazzo.
Indipendentemente da questo aspetto e dalle difficoltà comunicative, Shiigi-Shihan è stato in grado di trasmettere qualcosa each of us.
Monica and her practice uke under the supervision of Shiigi-Shihan.
I find that is not even appropriate to speak of its technical capabilities, it would be least offensive part of my experience was very positive: I had the chance to see a technical program Based Ichigido and its evolution; Shiigi-sensei was not limited to illustrate the techniques, but gave us the basis to set a real learning session that would not be enough to properly investigate a life.
seemed particularly interesting part of the stage which covered the development of kata, where the teacher said the separation from its traditional origins of the Kodokan, then giving us a demonstration of how you brought the techniques of Kime-no-kata in time where 'effectiveness was the priority on the beauty and the ritual execution.
At the end of the day we were given a demonstration of Katori Shinto Ryu I believe very beautiful and superb in some places, the only regret is my lack of knowledge in the field that allowed me to fully appreciate what I have seen '.
seemed particularly interesting part of the stage which covered the development of kata, where the teacher said the separation from its traditional origins of the Kodokan, then giving us a demonstration of how you brought the techniques of Kime-no-kata in time where 'effectiveness was the priority on the beauty and the ritual execution.
At the end of the day we were given a demonstration of Katori Shinto Ryu I believe very beautiful and superb in some places, the only regret is my lack of knowledge in the field that allowed me to fully appreciate what I have seen '.
